A fight choreographer designs the storytelling and rhythm of action, while a stunt coordinator manages safety, logistics, and camera execution. At Violence Conductor, we handle both, so your scenes hit hard without risking your crew.

A fight choreographer is like a dance director. They design the movement, pace, and emotional beats of a fight. They’re focused on story, rhythm, and how each strike advances character or plot.
A stunt coordinator, on the other hand, ensures that choreography can be performed safely and captured effectively. They handle gear, pads, camera blocking, and timing, making sure every performer is protected while the scene still looks intense.
Without a choreographer, fights look sloppy. Without a coordinator, fights get dangerous. The best productions integrate both disciplines because action that looks real only works when it is safe.
At Violence Conductor, Escapade Visual’s stunt division, we merge these two roles under one experienced team.
Previsualization (“previs”) is one of the biggest advantages of professional stunt coordination. We shoot a rough version of the fight before production, giving directors and DPs a roadmap for blocking and framing. This saves hours on set and keeps everyone on the same page.
When action tells a story, audiences stay engaged. When it’s sloppy, they disconnect. Combining fight design and stunt safety ensures your scene sells emotion and realism.
Need cinematic stunts for your next project? Book a stunt call with Violence Conductor through Escapade Visual.