FAQs

Distribution gets your music onto streaming platforms. Publishing protects your songwriting rights and collects royalties. Both matter and we handle both.

Build relationships and focus on story, not self-promotion. Collaborate early, communicate clearly, and be ready to adapt your sound to the scene.

Keep it clean, clear, and easy to clear. Great mix, no samples, and multiple versions available for editors.

Sync licensing gives filmmakers permission to use your music and gives you payment for it. It’s how creators get legal, and how musicians get paid.

You need professional masters, clean ownership rights, and the right connections. At Beatz Ballistic, we help indie artists get sync-ready and connect with producers who need cinematic soundtracks.

As early as possible. Bringing in a stunt coordinator during script development saves time, reduces costs, and ensures your action is written to fit your budget.

Safety starts in pre-production. With trained professionals, previs planning, and smart camera design, you can make action look dangerous without ever being dangerous.

Motivation. Every punch, fall, or explosion should serve the story. Without emotion, action is noise and audiences can tell the difference.

Plan early, scale smart, and hire professionals who know indie budgets. With the right design and prep, you can get big-budget results without breaking your film.

A fight choreographer designs the storytelling and rhythm of action, while a stunt coordinator manages safety, logistics, and camera execution. At Violence Conductor, we handle both, so your scenes hit hard without risking your crew.